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Short Title
Venice 1299
Full Citation
Venice, Biblioteca nazionale Marciana, Cod. It. IV-1299
RISM ID
Provenance & Date
Venice, 19c
Time_frame
Contents
F
Title
Pp. in Source
17.67.02
No. 51. Canzon
63
17.51
No. 6. Gagliarda
9
17.52
No. 7. Spagnoletta
9
17.53
No. 8. Ballo del Gran Duca
10
17.54
No. 13. Corrente
20
17.55
No. 14. Spagnoletta
21
17.56
No. 15. Follia
21
17.57
No. 16. Ciaccona
22
17.58
No. 17. Gagliarda
22
17.59
No. 24. Toccata
32
17.6
No. 28. Toccata
40
17.61
No. 29. Corrente
41
17.62
No. 34. Corrente, “La Spensierata”
47
17.63
No. 35. Toccata
47
17.64
No. 37. Toccata
50
17.65
No. 41. Corrente
53
17.66
No. 48. Toccata
59
17.67.01
No. 50. Toccata dell’Ottavo tuono
62
17.7
No. 57. Capriccio
71
17.71
No. 66. Ballo Todesco
88
63
17.69
No. 53. Passaggio
84
17.73
No. 79. Volta Francese
109
17.72
No. 77. Gagliarda
108
17.74
No. 80. Corrente
110
17.75
No. 81. Gagliarda
111
17.76
No. 82. Aria di Firenze ossia Ballo del Duca
111
17.77
No. 84. Gagliarda
114
17.78
No. 85. Corrente
115
17.79
No. 86. Balletto
115
17.8
No. 88. Gagliarda
117
17.81
No. 90. Corrente
117
17.82
No. 92. Gagliarda
119
17.83
No. 93. Balletto
120
17.84
No. 96. Gagliarda
123
17.85
No. 97. Corrente
123
17.86
No. 99. Gagliarda
126
17.87
No. 100. Corrente
126
17.88
No. 102. Gagliarda
129
17.89
No. 103. Corrente
130
17.9
No 105. Corrente
133
17.91
No. 108. Corrente
137
17.92
No. 112. Corrente
142
17.93
No. 115. Toccata
147
17.94
No. 116. Corrente
147
17.95
[8 versetti]
163-165
17.96
No. 159. Corrente
174
17.97
No. 160. Corrente
174
Modern Editions & Facsimiles
Short Title
Literature
Short Title
Pp. in Lit.
Hammond (1983)
299-303
Hammond (2002)
389
Jeanneret (2009)
426-432
Silbiger (1980-1)
144-145, 164-165
Related Frescobaldi Publ.
Canonical Publ
CAPRICCI (1624-1642)
FIORI MUSICALI (1635)
TOCCATE I (1615-1637)
TOCCATE II (1627-1637)
Notes
Scribe: Bernardo Mantuaner. “Canzoni...del celebre Sig. Geronimo Frescobaldi..ridotte ad un moderna & facile lettura da Bernardo Mantuaner.” The reading of many pieces in this collection are problematic. One is not quite sure whether this is the result of incompetence on the part of the composer or of the copyist, or perhaps both.